I’m very happy to announce that my new book Kid, Grandpa, Donut is finished and ready to read!
One pink donut with sprinkles. Two people who want to eat it.
If Kiddo can finish his chores before Grandpa does, he gets the whole thing! With the help of his kitty, he is determined to win, but how far is Kiddo willing to go for victory? And, really, are cats good partners?
James Hough, author and illustrator of Starving Artist (Jim Public:2013), brings another story of hard work, sacrifice and the pursuit of a delicious treat, with a child-grandparent relationship and lots of drawings of a cat being a cat!
The story was always meant to be light and fun, yet it took me about 18 months to finish! I’m hoping to improve my time on the next one. I wrote so many versions of this story, some much shorter and some much longer. At one point “Grandpa” was “Dad” and the twist was that he made ice cream in the garage (???). My hope is that this finished version is less random…
Ultimately, this story became what it is because of two main inspirations:
- Cats are cute and furry, yet they have infinite talent for getting in the way, and
- I love watching my kids’ relationships with their grandparents, particularly with my wife’s dad.
Take those influences from real life, and throw in some Scott Pilgrim, Mo Willems, Calvin & Hobbes and lots of color, and you get Kid, Grandpa, Donut. I hope you’ll read and let me know what you think!
Kid, Grandpa, Donut is available to read any time as a webcomic. You can also purchase from the Kindle store. It’s published digitally by Jim Public, 2019.
Buy for Kindle
Happy reading! While you’re perusing, I’ll be seeing if there is a story to be told featuring our other kitty, Tiger Feather.
Donut (left) and Tiger Feather
Below are a few digital sketches that represent a snapshot of what has been going on in my painting studio lately. Working digitally like this has the huge benefit of offering infinite flexibility when working with colors. I also love to dig for intuitive geometric compositions in my paintings, and Adobe Illustrator is well suited to this kind of sketching.
This sketch should be a finished painting by now, but I keep revisiting it, tweaking the colors to try to achieve the balance of light/dark and intensity that it needs. I ended up going with the top design with the chain of small rectangles running across the diagonal.
Continuing to play with the red/pink/white/blue palette and simple—bordering on obvious!—geometry.
I am currently making the painting that is depicted in this digital concept photo. I created the palette after spending some time at the collectors’ land in west Texas, home of big skies, cedar, mesquite, and earth. When finished, this painting will be an important piece of the collectors’ newly remodeled home!
This sketch did not make the cut for the above commission, but it has found a place in my painting queue. It uses the west Texas palette, and does some of the things with simple color, light and space that keep my eyeballs coming back to look again.
This is my personal favorite of the Fujikawa-esque fan arts I’ve made. It brings together M.I.A.’s loudness and Gyo’s softness, and I just kind of like how all the pieces came together.
Now I need to take some time to finish coloring a piece with the working title, “Bad Blood.”