Below are a few digital sketches that represent a snapshot of what has been going on in my painting studio lately. Working digitally like this has the huge benefit of offering infinite flexibility when working with colors. I also love to dig for intuitive geometric compositions in my paintings, and Adobe Illustrator is well suited to this kind of sketching. This sketch should be a finished painting by now, but I keep revisiting it, tweaking the colors to try to achieve the balance of light/dark and intensity that it needs. I ended up going with the top design with the chain of small rectangles running across the diagonal. Continuing to play with the red/pink/white/blue palette and simple—bordering on obvious!—geometry. I am currently making the painting that is depicted in this digital concept photo. I created the palette after spending some time at the collectors’ land in west Texas, home of big skies, cedar, mesquite, and earth. When finished, this painting will be an important piece of the collectors’ newly remodeled home! This sketch did not make the cut for the above commission, but it has found a place in my painting queue. It uses the west Texas palette, and does some of the things with simple color, light and space that keep my eyeballs coming back to look again.
That’s a custom lighter by Jonathan Hough. It’s great to watch an artist develop. My favorite kind of artist is the one who—through experimentation, trial and error—seeks the best means to give shape to whatever space his head is in at that moment. And then when that head space shifts, so does the search for the way to give it tangible form. Jonathan Hough, my brother, @jh0u9h on Instagram, is one of these artists. I follow what he makes, and we talk about art, broadly and specifically. Often he is the kind of artist who wants to be responsible for every atom (ideally) that comprises a piece of artwork. Below, check out my small collection of Jonathan’s work. Two of them are paintings made from hand-ground minerals mixed with oil to create his own paints. The third is a hammered metal piece that is part bell and part oculus. They are compact pieces, like gems, representing countless hours of focused making. Now, Jonathan has taken his passion for metals and minerals, and an arsenal of technique he has developed as a jewelry-maker, and has begun collaborating with artists to create custom-engraved lighters. This project is his first big foray into bringing his highly specialized skills to a wider audience. Check out some of his recent collaborations…
David Cook / @bonethrower on Instagram
Reginald Pean / @frenchinald on Instagram
And, the artist himself, Jonathan Hough / @jh0u9h on Instagram
Find Jonathan on Instagram to see more of his work. @jh0u9h
My wife’s ancestors were pioneer farmers, and we are carrying on one of their traditions. Quilt-making! We began this one—our first—about 5 years ago then put it on hold for a while until we got some big quilting frames last Christmas. And now we have completed it. The design comes from a photo of our daughter cuddling our son when they were about ages 6 and 1. If you back away from the quilt about 50 feet you can see the image, which is hardly practical, so we content ourselves with wrapping ourselves in our new blanket knowing that the design is a picture of our kids, even if we can’t tell up close. Here’s a tiny picture of it, which shows the image a little better.