I’m passing along the details of this workshop—I’m looking forward to it, and it should be particularly helpful for aspiring illustrators. I learned so much from last year’s workshop with Dan Yaccarino.
Dear NC/NE Texas SCBWI illustrators, Do not miss the April 20 SCBWI picture book workshop, BLENDING WORDS WITH ILLUSTRATIONS. We are lucky to host Priscilla Burris, a successful Southern California-based illustrator/author who has published many books for kids. She is also the illustrator coordinator for SCBWI. As an added bonus, Priscilla will do portfolio critiques for the first eight who register and pay for the conference and a critique. There are still a few spots open, so send your registration form in by April 13 to reserve your spot. In this full-day workshop, Priscilla will share her views on the publishing industry and what it takes to create a successful picture book. Targeted to illustrators and author/illustrators, you’ll leave with a better understanding of how to blend words with illustrations. There will be lots of hands-on work, so bring a sketch pad, pens and pencils as well as your favorite picture book. WHEN: Saturday, April 20, 9 a.m.- 4 p.m. WHERE: Westminster Presbyterian Church, 1330 S, Fielder Road, Arlington, TX 76013 WORKSHOP COST: Admission is $45 for members, $60 for non-members. PORTFOLIO CRITIQUE COST: Admission is $35 for members, $45 for non-members. Go to www.scbwi.org/Regional-Chapters.aspx?R=47&sec=News to download the registration form. Please plan to join Priscilla and other SCBWI members for a casual Dutch treat dinner Friday night in Dallas and/or Saturday following the conference in Arlington. Times and locations are on the chapter website). We look forward to seeing you. Watch the chapter website www.scbwi.org/Regional-Chapters.aspx?R=47 for the latest news and events.
I received some commissions to make a few superhero portraits on canvas. I was able to make the colors and characterization a little richer in these paintings than in the works on paper, and to experiment with depth of color and lighting effects by using acrylic glazes. Here is the first one I finished.
My daughter was born during the time of my graduate studies at UNLV, where I was learning about digital art from the illustrious Helga Watkins. In an effort to improve my skills and create a portfolio piece, I used Adobe Illustrator to make this vector portrait of my baby girl. I like the idea that, because it’s a vector image, she could be scaled up infinitely without losing her smooth, baby features.
While working on new paintings and illustrations in the studio, I have also been working on an upsurge of new portrait commissions lately. There are so many painters who do traditional portraiture better than I do–not to mention photographers–that I prefer the fun energy of transforming people into comic- and cartoon-style heroes.