My wife’s ancestors were pioneer farmers, and we are carrying on one of their traditions. Quilt-making! We began this one—our first—about 5 years ago then put it on hold for a while until we got some big quilting frames last Christmas. And now we have completed it. The design comes from a photo of our daughter cuddling our son when they were about ages 6 and 1. If you back away from the quilt about 50 feet you can see the image, which is hardly practical, so we content ourselves with wrapping ourselves in our new blanket knowing that the design is a picture of our kids, even if we can’t tell up close. Here’s a tiny picture of it, which shows the image a little better.
Believer, 2013, acrylic on canvas, 31″ x 47″ My most recent painting takes a turn toward representation. I used additive and reductive painting techniques to create the image, as I have been doing in my non-objective works, but this time I was evoking a still life by Henri Fantin-Latour, whose intimate paintings are so quiet, yet sculptural, in the way he uses light and shadow to create space. Plus, finally seeing the Cy Twombly Gallery at the Menil Collection was a huge inspiration as I approached this painting. Looking at Twombly and Fantin-Latour is humbling and uplifting at the same time, and this painting owes its swirling circular shapes and its palette to both painters.